About this series
Notes from the edit
- I kept the cranes against the sky rather than cropping them into anonymous shapes.
- Torn fabric and round openings became frames whenever they lined up with the site.
- The portrait print stayed because the rebuild was not only steel and concrete.
- Ten photographs felt like enough; this is not meant to be a complete record.
How these were made
I made these photographs at Slussen in 2023.
No generative AI was used in this series.
Copyright Felix Olsson. Ask me about prints or licensing.